(Helene Cixous-- Three Steps on the Ladder of Writing)
"Yet," she ends, "we do return." And here I am. And there they are, my children--& thank you, beautiful universe, for choosing me as their conduit --in the next room, fighting over something. Yes, thank you.
For because of these two i dress myself every morning
For because of them i ride the elevator down into the world where i must each day at least seem to prevail
For by them i have been instructed to see through/behind/past all shiny aquarium walls
For by them all mirrors are reversed and used as car ramps, battle-fields, Pokemon stadiums, etc.
By them in whom the original alien gender is rendered wholly awesome
In whom lies proof, irrefutable (to me, anyway) of the miracle of birth in the human realm
In whom sleeps the half-truth that their bones glow in the dark because my milk's still in them
Because they will believe anything i say, which holds me to the highest possible standards of speech
Because anything I say I can clearly see misting the mirror they hold up to me
Which is like being hung by the hair from a high-wire all the time
In the field of images where I lie open & exposed
Which is a feeling of physical erosion
Which has added to my multiple personalities a trembly empath
With the fragilest cell walls who gets shot at with a cap gun often & hard
& with foam arrows, with scatalogical language & gestures & ethical dilemmas
& with raging desire & ambivalence & ameliorating kisses
& diplomatic & passionate kisses
For if earth is a nest from whose rim we all are falling
For if one mirror angle of this reflects continuance against all odds, despite all high winds
For if it be admitted that it is precarious, yes,
& a noisy/messy vale of tears (especially on weekends)
Then let me leave it sometimes, whole hours, whole days, whole quantum existences
Then let me forget them though they be near as the next room
Then let me remember them
When the poem ends
11:15pm
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